L.A. Noire Wiki

"The LAPD, you say? Is it really possible that you could have found me after all this time? How interesting."
Garrett Mason

The Quarter Moon Murders is a Homicide case in L.A. Noire. This is the last case Cole Phelps takes on the Homicide Desk before he is promoted to the Vice Desk.


Central Police Station[]

"Be careful Phelps. This is his game you're playing now."
―Ray Pinker.

The mission starts with Phelps meeting in Tech Services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Black Dahlia (B.D.) Killer, Phelps realizes that the murderer is actually taunting them. He figures out that the poem they have been given leads to a landmark in Los Angeles.

Stencil Details
Black dahlia letter
Black Dahlia letter
"Note from Black Dahlia killer composed of newsprint, rinsed in gasoline"
Second excerpt
First excerpt
"First Extract from 'Prometheus Unbound', by P. Shelley"

Pershing Square[]

"Him. It's really him. The fuck who killed the Dahlia. Can you believe this? He's leading us..."
―Rusty Galloway

Phelps and Galloway rush to Pershing Square where Phelps discovers Betty Short's Social Security Card in the center of the Fountain, along with the second stanza of the poem. Galloway tells Phelps to use his city map in order to figure out which location the poem is describing.

For the remainder of the mission, Phelps eventually figures out each clue. A quicker way to determine the next location is by setting the destination to a random landmark in the map, and closing out of the map. If the selected landmark isn't the solution to the clue, nothing will happen. However, if the selected landmark is the solution to the clue, the mission will update, giving an onscreen notification.

Stencil Details
Social security card
Elizabeth Short's Social Security Card
"Elizabeth Short's Social Security Card"
Third excerpt
Second excerpt
"Second Extract from 'Prometheus Unbound', by P. Shelley"

Hall of Records[]

Cole deciphers the second stanza to be describing the Hall of Records, and the chandelier hanging from the ceiling. Cole makes his way to the top of the chandelier by carefully balancing on the chain and walking across. In the center he discovers Deidre Moller's missing watch, and the third excerpt from the poem. Suddenly, the chains break, causing Phelps to panic. He is forced to swing the chandelier in order to get it close enough to the balcony to jump to safety (done by swinging the left stick back and forth.)

Stencil Details
Deidre mollers watch
Deirdre Moller's Watch
"Deirdre Moller's missing gold watch"
Fourth excerpt
Third excerpt
"Third Extract from 'Prometheus Unbound', by P. Shelley"

L.A. Public Library[]

Phelps deciphers the third excerpt to be the L.A. Public Library. Phelps scales the outside of the building via a series of pipes, ladders, scaffolds and boards in order to reach the roof, where he finds Antonia Maldonado's missing religious pendant, and the fourth stanza of the poem. When Phelps returns to the ground and reveals that he found Antonia's pendant, Rusty voices his disbelief at the fact the Dahlia has eluded capture for so long. He also urges Phelps to discover the next location.

Stencil Details
Antonias medallion
Antonia Maldonado's Medallion
"Antonia's medallion with 'Our Lady of Guadalupe'"
Fifth excerpt
Fourth excerpt
"Fourth Extract from 'Prometheus Unbound', by P. Shelley"

Westlake Tar Pits[]

Phelps translates the fourth stanza into referring to the Westlake Tar Pits where the prehistoric "monsters" have been preserved. Phelps makes his way to the island in the center of the pit, using the wooden walkways laid out under the tar. On the center island, Phelps finds Theresa Taraldsen's shoe and the fifth stanza of the poem.

Stencil Details
Theresa taraldsens shoe
Theresa Taraldsen's missing Shoe
"Lady's open-toed white shoe belonging to Theresa Taraldsen"
Sixth excerpt
Fifth excerpt
"Fifth Extract from 'Prometheus Unbound', by P. Shelley"

L.A. County Art Museum[]

Phelps realizes the "Spheres" mentioned in the previous stanza is the armillary sphere in the center of the maze at the L.A. County Art Museum. Galloway tells Phelps he has no intention of going in as he has heard the maze is tricky. Phelps travels to the center of the maze, where he finds Celine Henry's garnet ring as well as the sixth stanza of the poem. Seemingly a while later (as it is now dark), Phelps emerges from the maze, telling Galloway he found Celine Henry's ring and another stanza.

Stencil Details
Celine henrys garnet ring
Celine Henry's missing ring
"Missing ring belonging to Celine Henry"
Seventh excerpt
Sixth excerpt
"Sixth Extract from 'Prometheus Unbound', by P. Shelley"

Solving the Maze

Enter the maze - use these instructions each time you have a choice:

  1. Right
  2. Left
  3. First right
  4. Left

Cole reads "'Thrones, altars, judgement-seats and prisons'... no, it couldn't be!"

Note: Backing your car, which appears in the Museum parking lot, up the adjacent loading dock will result in a "scene contaminated" case failure.

Intolerance Set[]

Phelps figures out that the previous stanza is leading them to the dilapidated Intolerance Set. Phelps and Galloway make their way up to the Throne. En route, Phelps gets trapped on a platform which he must keep balanced until Galloway can kick a piece of wood down and into jumping distance for Cole to get to safety. Phelps gets to the throne where he discovers Evelyn Summers' ring along with the Seventh and final stanza of the poem. The entire set suddenly begins to collapse and Phelps runs to safety via the scaffolding at the back of the set. He manages to get away safely. Back on the ground he tells Galloway that he has found the final piece of the poem.

Stencil Details
Evelyn summers ring
Evelyn Summers' typewriter ring
"Evelyn Summers' Ring made from typewriter "E" Key"
First excerpt
Seventh excerpt
"Seventh Extract from 'Prometheus Unbound', by P. Shelley"

Note: If you want a perfect rating (no damage to your car) or the gate won't bust open, have Rusty drive to solve this issue. Or, alternately, park outside the set and hop over the fence, which will also trigger the cutscene.

Christ Crown of Thorns[]

After Galloway mentions the whole thing seemed "religious," Phelps realizes that the final location is a church, and decides to investigate the abandoned Christ Crown of Thorns church which is located several blocks away.

Phelps and Galloway enter the church armed, and find themselves face to face with the Black Dahlia Killer (equipped with a shotgun), taking cover behind the church's altar. It turns out it was the temporary bartender, Garrett Mason, the whole time. As a fire fight is about to break out, the detectives jump for cover, which gives Mason the chance to escape down a secret passage behind the altar and into the church's catacombs. They then run through the side door of the church, running for the Vicarage nearby in hopes that there is another entrance to the catacombs below.

Go left through the kitchen of the house and through another door. This leads the detectives directly into the killing den of the murderer, with a bloody bathtub, killing tools (including a bloody tire iron on the floor), and statue nearby (that is Prometheus, inspiration to Garrett Mason). At the back of the room is a hole leading into the catacombs.

Catacombs/Case Finale[]

"The city owes you both, but there'll be no mileage in ever bringing this up again."
―Captain Donnelly

Go down the ladder on the left side of the room into the church's catacombs. Phelps tells Galloway to call for backup and investigates where the tunnel leads. Chase Mason through the catacombs, being wary of cover and his hit and run tactics. You can turn on the Black and White option to see in the catacombs better.

After a lengthy chase through the tunnels, Phelps chases Mason up a ladder and into a shed that leads into the graveyard. After a quick shootout, Phelps shoots Mason and kills him. The Black Dahlia Killer is no more, and a cutscene begins. During the cutscene, Captain James Donnelly lets Phelps and Galloway know that they must never speak of who the killer was, as he was the half-brother of one of the highest ranking elected government officials in America.

This ends the Homicide cases, as Cole is promoted to the Vice Desk. Note that it is possible to kill Mason while in the catacombs - Phelps will emerge back in the house, meeting Galloway and Donnelly.

The player will now earn the The Simple Art of Murder achievement.

Case Briefing[]

"Another case broken by the Los Angeles Examiner. If this latest letter is to be believed, Elizabeth Short's killer has grown impatient waiting to be caught. He's sending the typewritten notes to taunt us, to goad us into a chase. Any fool could see that we're walking into an ambush, but we may have put five innocent men on Death Row. It's time to finish this."

Case Notes[]

  • "The case of the Black Dahlia remains open, the truth lost to all but a handful of men."

Video Walkthroughs[]


  • When Phelps and Galloway arrive at the Christ Church of Thorns, you can notice that there is an iron picket missing from the gate; the very same picket that was used to break into Antonia Maldonado's apartment. This links Garrett Mason to the robbery.
  • Elizabeth Short's true social security number is different from that in the game. In real life, it was 0-22-18-750.[1]
  • It is likely that the bloodied bathtub found in the Christ Church of Thorns is where Elizabeth Short (The Black Dahlia) was murdered and mutilated. Her remains can be seen inside. If the tub is investigated, Galloway will be disgusted by all the blood, and Phelps will assume that it must have been the place for all the murders.
  • A scalpel and a probe, both with blood on them, can be found inside a bathroom sink in the house next to the church. If Phelps picks up the scalpel, he will assume that Mason has medical experience, or at least some working form of biological knowledge, calling Mason cruel and methodical. If Phelps picks up the probe, however, he claims to hate to think what Mason may have done with it.
  • A statue of Prometheus can be found near a bathroom sink in the house next to the church. If Phelps picks it up, he says that Prometheus defied the cruel gods, and believes that Mason is attempting to have history repeat itself by doing the same thing. Rusty agrees, but warns Phelps that defying gods can be hazardous to your health.
  • On the floor next to the catacombs entrance in the vicarage, there is a tire iron with blood on it. If Phelps picks it up, he makes a claim, suggesting that arresting him would work for an airtight case due to surplus of physical evidence. Galloway, however, disagrees, claiming that Mason is "fucking nuts", and believes that the probability of bringing Mason in alive would be dangerously close to impossible.
  • Garrett Mason can officially be first seen in the game working at The Bamba Club in The Red Lipstick Murder, which is also Cole Phelps' first homicide case (making the killer himself, ironically, the first person you talk to during the whole Dahlia string of murders). If you find the knife on the first sweep of Ray's Cafe in A Marriage Made in Heaven, and return to Ray's, he will appear behind the bar instead of Dudley Lynch. However, he cannot be interacted with.
  • As there are no interrogations in this case (one of the only missions in the game where this isn't required), the game awards experience points differently, beginning with 5 points for simply reading the letters at the start of the mission. Additional experience points are awarded for locating the landmarks as part of the Star Map Achievement/Trophy (assuming the player hasn't already located the landmarks previously).
  • The game telegraphs the solutions to the puzzles by placing question marks on the map at the various landmarks that need to be located. If the player has already hunted down a number of landmarks or has found them incidentally during past cases or Free Roam, it might be harder finding the right locations as the question marks only appear for landmarks that have not previously been located in Free Roam or while on a case.
  • When Phelps and Galloway arrive at the Intolerance Set, Phelps' flashlight may not appear despite Phelps reaching into his jacket pocket and holding his hand up in the manner of holding an object. If this happens, simply opening and closing the notebook results in the flashlight appearing as normal.
  • Completing this case unlocks the Homicide version of Free Roam, with a different set of Street Crimes to be solved.
  • After Phelps' escape from the chandelier (and also after escaping the Intolerance Set), if the player has chosen a different outfit for this case (and therefore hat), he will still shake out the dark blue hat belonging to the Sword of Justice outfit, the default outfit for the Homicide cases. He will also wear the hat when traversing the Westlake Tar Pits.
  • After traversing the Westlake Tar Pits, during the cutscene, Phelps can either be wearing his suit or the overalls he used to cross the tar pit.
  • The fact that the case is still open is a reference to the fact that the Black Dahlia killer was never officially found in real life.
  • The first extract from Shelley ("To suffer woes which Hope thinks infinite...") is the final part of Prometheus Unbound in Act 4.
  • This is the second case featuring rain, the first being The White Shoe Slaying.
  • If Phelps falls from the supporting cables of the chandelier in the Hall of Records, it's counted as a Death By Gunshot on the stats.
  • During the cutscene in the Christ Crown of Thorns, Galloway tells Phelps that he used to be an altar boy.
  • This is only case where full locations are landmarks.
  • It’s not possible to complete the mission out of order or go to the Christ Crown of Thorns early. If you go to the last location first, all access inside is locked.